Directive 8020 Review (Xbox Series X): Supermassive’s Space Horror Finds Its Footing
Take Off It has been four years since The Devil in Me, and in that stretch I started to wonder whether…
Dead as Disco – Review (PC)
Punch and Beat Some games announce themselves with a slap to the face, and Dead as Disco does it with a kick…
‘Constance’ Review: Burnout Has Never Been This Beautiful
Opening Strokes I went into Constance with my arms crossed. Another 2D hand-drawn metroidvania about mental…
🇵🇹 Análise Saros — O Bullet Ballet da Housemarque Encontrou a Sua Alma
A Sombra do Eclipse Entrei em Saros à espera de um Returnal 2.0. Uma camada nova de tinta, biomas ligeiramente…
Saros Review — Housemarque’s Bullet Ballet Has Found Its Soul
Eclipsing Expectations I went into Saros expecting Returnal 2.0. A prettier coat of paint, slightly different…
DETECTIVE Collection Vol. II — PS5 Review: Three Cases, One Notepad, Zero Hand-Holding
There’s a particular kind of detective game that doesn’t really want to entertain you. It wants to…
The Last Case of John Morley – Review (PS5): A Smoky, Imperfect Noir Worth Investigating
A detective walks into a hospital room… There’s a particular kind of atmosphere I’m a sucker for:…
Grind Survivors: Brilliant Mechanics Suffocated by Content Drought
Three weeks ago I loaded Grind Survivors expecting the usual survivors-like loop with a cosmetic…
GRIDbeat! Taught Me to Dance With Corporate Collapse
I spent the first twenty minutes of GRIDbeat! off-beat, hemorrhaging health points like a rhythm-deaf amateur.…
The Prisoning: Fletcher’s Quest Excavates Burnout With a Laugh
A developer trapped in his own mind after a ruined therapy session—I found myself grimacing at the premise…